筆者想藉由平面繪畫的載體提出反思，探討自身所經驗的空間、符號圖像與平面繪畫的相互連結，透過繪畫特有的空間表現與觀者進行對話。《邊界游移》系列是源自日常「騎車通勤」的經驗，經過個人情感投射出的心象風景，透過這些看似熟悉的日常空間，抒發步入社會對未來感到的迷茫，面對自身與社會的疏離所帶來的思考。

在這些冰冷的符號上人類建立了現代社會的秩序，這些交通符號和空間結構就像是社會中的常規和既定的價值觀，深刻影響著我們的生活，這些路標指示如同在盲目生活中的一種依歸，只要遵從交通號誌的指示便可以繼續前行，生活也是如此，在看不見的力量下我們被迫活出社會想要的樣子，不知不覺中變的不像自己、不知道自己想要去的地方，我們都是在自我與社會準則間游移的人，想要回到一個自己的歸處，卻時常迷失在邊界上。

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The artist aspires to reflect this theory through his paintings and discussabout the interconnections among the personal experiences of space, symbolism of imagesand works of art.Dialogue with the viewer through the unique spatial representation of the painting. 《Wandering on border》derived from the daily experience of Ride the motorcycle. The mental landscape projected by personal emotions, through these seemingly familiar daily spaces, expresses the confusion about the future of entering the society, and the thinking brought about by the alienation of oneself and society.

On these cold symbols, mankind has established the order of modern society. These traffic symbols and spatial structures are like regular and established values in society, which profoundly affect our lives. These road signs are like a kind of refuge in a blind life, as long as you follow the instructions of the traffic signs, you can move on. also in life, an invisible power forces us to fulfill the socialexpectations, loose ourselves and loose our direction. We vacillate between the self andsocial standards; hoping to redeem the self, we constantly loose our way on the edge.